Saturday, December 19, 2015

A Tapestry, Shared

Late October, 2015, I had an idea.  I'd walked past the tapestry I made a few years ago, and thought, as I often have, about how much I enjoy looking at that piece.  I get such a sense of connectedness to the people who joined me in that project every time I see it. I find that especially encouraging when current events or personal challenges make it easy for me to feel alone.  I thought I'd like to share that experience with whomever wanted to join me.

On Facebook and in an email, I asked people, if they chose to join me, to send me one piece of paper--something from their lives--and proposed to weave that into a larger tapestry with all of the collected papers sent to me.  Once done, I would section it into parts, and share one part with each person who sent me something.  I wrapped each as a gift for the holidays.

Below is the process that followed:

After I had collected most of the pieces of paper, I cut them into quarter inch strips.


Shortly after I received the last submission, I started waxing and weaving, using a clear encaustic wax on each strip before weaving it into the piece.  


Slowly, it started to grow.  I worked nonstop for about five hours that first night.  Before I left it, I was around a third of the way done.  It was so exciting to see the little parts that would reveal themselves, and consider the relationship of one piece to another, one person to another.  The strength of it was impressive too.  The symbolism of that strength moved me.  I went to bed slightly stiff but fully pleased with my progress, excited to soon share it with those I'd carefully woven in.


The following day I worked around eight more hours carefully integrating the randomly selected strips to fit a size I had masked out to include all of the pieces I was hoping to share.  Close to midnight I was done.  It held together beautifully.  I was so thrilled.  That little face popping out in the lower right corner was not planned.  None of the parts that reveal themselves were planned.  That was part of the delight of the process for me.  


I added one more coat of wax to the surface to hold everything together.  The extra coat of wax added a layer that played with the obscuring and revealing qualities of the work.  For me, the way wax both hides and reveals what it is placed over is symbolic of memory, time, relationships, and each our own individual nature.  The finished complexity of the piece was perfect to me--not beautiful in the conventional way, but strong and meaningful for the effort people took to join me, the thought that went into each item shared, and the careful part I played in bringing it altogether with an unprejudiced, open-hearted touch.  My son, Ethan took this picture of me holding the final piece outside, in the field beside our apartment:


Here's the piece altogether, before it was sectioned and shared.


I took only one photo of one piece matted before mailing, and unfortunately (or maybe most appropriately) it is out of focus.  


Included in the finished weaving are a handful of leaves, hand-written letters, two typed letters, two cards, handmade soap labels, a certificate, one child’s drawing, one woodcut print, two works of calligraphy, a daydream, an assignment, a comic, an invitation, a work of art, a favourite song, and a story. It’s a collection of things that marked a place in time with each person who joined me. I really like the symbolism of that, and the idea of the tapestry being linked by the homes that house it now, and the lives that nurture it. I'm very grateful to those who joined me. It was a incredibly meaningful project for me. I didn't keep a piece. I wanted my part to travel with the whole, my place to be with all the others, linked by the making, touched by the memory.



Friday, November 06, 2015

Loops That Bind

Loops That Bind
Polymer clay, VCR tape, paper, wire, acrylic paint, ink and found cage
2015





Saturday, December 06, 2014

Giving Light

"Give light and people will find the way."  ~Ella Baker


When I find myself stressed or worried, depressed or struggling, very happy or excited, curious or pondering, I turn to art to give me the means to express what is happening inside.  So, when faced with the events of the past few weeks, I turned again to making things to help me connect with people who may also have a heavy heart.

I posted an idea on Facebook.  Below you will find the plates I am making and plan send to the people who participated in this project with me.  Most of these people I do not know in person.  As well, I'm new to pottery, so this is not an attempt to share my skills.  This is a humble attempt to connect in a time when it seemed to me we are at risk of polarization.    

Update number one:

Here are the first three under way, in their various stages of progress.  One flattened into a square. One stamped, with edges turned up.  One with feet.  I'm nervous about the glazing part.  That's the stage I'm not strong at.  I plan to keep it simple.  Fingers crossed.


What has really stood out for me so far is how delicate these are and how much care they need to take them to a more stable state. I'm not aiming for perfect. I'm cautious not to do harm. I'm aware that I don't really know what I'm doing, so I'm slower than someone more skilled would be, always on alert to the potential of things going wrong, yet possibly more forgiving of mistakes in the medium and in myself. The parallel between this process and the process (for me) of navigating relationships with people -- loved ones, acquaintances or strangers -- is hard for me to miss. That struck me as interesting.

Update two:

Here are the raw clay, unfired plates, with the words given to me embossed on them.


Hema.  "Right here in the Rainbow."


Shannon.  "Leap and the net will appear."


Eric.  "Our Hearts, Spirits, Minds and Souls Seething in the Sun."


Julie.  "i imagine that yes is the only living thing.  E. E. Cummings"

(I almost forgot to take a photo of this one before firing it, so I captured this in the car on the way to the pottery studio.)


Jill.  "Takk for maten."

Update Number Three:


Now that I have five plates completed and bisque fired, I have glazed the first one to see how it turns out.  Keeping fingers crossed that the lettering can be seen.  



Saturday, February 22, 2014

Bottom of the Bucket (Final painting)


Bottom of the Bucket - A Painting Created by Friends
Oil, oil pastel, iron, and silver leaf on gesso board
36 x 36 inches
2014

(Please visit this post for the story behind this painting.)

Friday, February 21, 2014

Bottom of the Bucket - A Painting Created by Friends

I had been staring at a largish blank gesso board in my living room for some time. I had a few ideas about what I wanted to do with it, but I couldn't seem to get myself motivated to start. I thought to myself "I just need to play." So, I asked my son Ethan to outline some fun shapes for me. He did. Then, looking at the shapes it donned on me that it might be fun to build a painting around other people's suggestions. Facebook seemed like a good place to go to solicit help, so I posted this post:
I would like to do a bit of an experiment. Please give me one colour (simple colours please...I'm not very fancy), and I will build an abstract painting with anyone who would like to contribute. I'll post photos in the comments below as I go. Kind of like a choose your own adventure painting. When you stop adding colour suggestions, I'll stop painting. The painting will be complete. The adventure over. Anyone want to play?
To my delight someone quickly replied.  Then a few more people and a few more people.  What I thought was going to be a simple project to jumpstart my creative juices turned into a meaningful collaborative effort.  I (poorly) photo-documented each colour suggested as I went, and shared them with my friends in a stream in the comments of that original post.  Along the way I also asked for some favourite writing on community.  I incorporated some of those suggestions into the painting as I went along as well.

Colour by colour, comment by comment, this painting was created...

First Ronnie gave me teal...


Nora gave me yellow...


Sue suggested pink...


Annelies said purple! A light, gentle purple...


Christine gave me peacock blue...


Christina gave me tangerine...


Shawn said gray (which I added in text from a piece of writing Colleen suggested called "The Work of Local Culture" by Wendell Berry)...


(After which I decided to call the painting "Bottom of the Bucket" in reference to this part of the essay tagged above:  
"However small a landmark the old bucket is, it is not trivial. It is one of the signs by which I know my country and myself. And to me it is irresistibly suggestive in the way it collects leaves and other woodland sheddings as they fall through time. It collects stories too as they fall through time. It is irresistibly metaphorical. It is doing in a passive way what a human community must do actively and thoughtfully. A human community too must collect leaves and stories, and turn them into an account. It must build soil, and build that memory of itself—in lore and story and song—which will be its culture. And these two kinds of accumulation, of local soil and local culture, are intimately related.")
Next Caren suggested dark forest green...


Heather wanted to see magenta...


Carrie suggested mauve...


Shari asked for dark blue purple...


Jeannie said she would like sage green...


Amanda said indigo blue...


Jody said red...


Kathryn asked for fuchsia...


Jo said emerald green...


Lillian wanted to see chartreuse...


Eli asked for cyan blue...


Karen said burnt orange/red (which I added, again, in text (suggested by Deb) from a poem entitled "Portrait by a Neighbour" by Edna St. Vincent Millay)...


Lisa asked to see black...


Wendy wanted to see deep royal purple...


Florence suggested red...


Sue asked for fuchsia...


Linda suggested rust (which I plan on adding to the two inch sides of the painting and here's an example of what it will look like)...


Christina said vermillion...


Laura said she loved that blue green colour that you get from mixing blue and green together in watercolour...


(here's a closeup of that)


Hallie wanted red for valentine's day! like fire engine, coca cola vibrant red (which is added one last time in text, suggested by Schuyler, from a poem called "Flying at Night" by Ted Kooser)...


(here's a detail of that)


Zander thought there needed to be more orange (which my son, Ethan, suggested a home for)...


Kelly wanted some white...


And, the final suggestion was made by Alex and seconded by Marta - silver...


(one final detail)



I wasn't careful about photographing the colours accurately, and I will take a better photo of the finished painting another day.  But, the success, for me, isn't in the finished painting anyway, although I do think it is "full of life" as my husband says.  The real success, in my opinion, is in the connections made by me and my friends, and my friends with each other, their friends, and people we all may not know in person on that one humble Facebook post.  

In the wonderful essay I took text from by Wendell Berry, the writer laments the loss of shared stories and our growing distance from one another in our modern world.  But I think in some small way I've shown (even if only to myself) that we can still build community, share stories, and reach out to one another. We might do it differently than we once did.  But to me, it's no less meaningful.  In truth, I would never have appealed to so many people to make a painting with me any other way.  I'm just too shy.  My world is bigger thanks to our modern means of communicating.  I'm pretty excited about that.  

Thanks to everyone who joined me.  I have omitted surnames to protect privacy.
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